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Play

Here There Are Blueberries

Sat 31st Jan -
Sat 7th Mar

In 2007, a mysterious album featuring Nazi-era photographs arrived at the desk of a U.S. Holocaust Memorial Museum archivist. As curators unravelled the shocking truth behind the images, the album soon made headlines and ignited a debate that reverberated far beyond the museum walls. 

Based on real events, HERE THERE ARE BLUEBERRIES tells the story of these historical photographs—what they reveal about the perpetrators of the Holocaust, and our own humanity. 

During the run, audiences will be invited to engage in a curated series of post-show conversations featuring moderated conversations with leading ethicists and scholars, who explore the complex issues raised by the play. A ticket to a performance of HERE THERE ARE BLUEBERRIES is required to attend any of these events. These sessions are programmed by FASPE (Fellowships at Auschwitz for the Study of Professional Ethics), Tectonic Theater Project’s Content and Conversation Partner, in collaboration with Tectonic Theater Project and Stratford East.  

Talk 1: Transformation of Norms and Complicity as the New Normal

THU 05 FEB & TUE 17 FEB & THU 19 FEB 
The play opens a window into the norms of Nazi perpetrators and complicit professionals. In the 1930s and 1940s, German society experienced a gradual, comprehensive, ever-accelerating transformation of its system of ethical and moral values among doctors, lawyers, accountants, and more. Their role is central to the play, and raises pressing questions about contemporary professional ethics. 
THU 05 FEB Panel: James Bulgin, Robert Eaglestone, Ann James. 
TUE 17 FEB Panel: David Goldman, Jill Dolan, Anita Arora. 
THU 19 FEB Panel: David Goldman, Waseem Yaqoob. 

Talk 2: Why Study the Holocaust?

MON 09 FEB & WEB 18 FEB 
Auschwitz was liberated 80 years ago; we have seen genocides since 1945. Why do we continue to study the Holocaust; why does the Holocaust remain so much a part of contemporary pedagogy, literature, ethics and more? What is the role of Holocaust study in a post-survivor world? 
MON 09 FEB Panel: James Bulgin, Susanne Baumann, Keith Magee. 
WED 18 FEB Panel: David Goldman, Jill Dolan, David Gill. 

Talk 3: The Sins of Our Fathers

TUE 24 FEB & WED 25 FEB 
Could the Kommandant of Auschwitz have been a good father? How can seemingly normal people commit horrific acts during weekdays and enjoy family and professional relaxation on weekends? This discussion asks not only how those “heirs” are to think about the sins of their fathers, but how we are to think of the perpetrators, themselves, in their normal lives as parents, as husbands and children. Is it possible to compartmentalize criminal behavior from “normal” lives?  
TUE 24 FEB Panel: David Goldman, Father Bell. 
WED 25 FEB Panel: David Goldman, Father Bell. 

A Stratford East and Tectonic Theater Project Co-Production. Produced in association with Brian & Dayna Lee, Eleanor Lloyd Productions and La Jolla Playhouse. 

See the trailer below with footage from the previous production at New York Theatre Workshop. 

Quietly devastating

The Times

This searing drama builds into an unforgettable inquiry

The Guardian

A timely, necessary, harrowing watch

Broadway World

I urge you to see it

Europe Says

This is essential theatre

All That Dazzles

Intelligent, harrowing and exquisitely performed

Curtain Call Reviews

See this play

Everything Theatre
Theatre Audience Podcast

It is utterly gripping

RoViews

Devastating and thought-provoking

The Live Review London

Compelling and a totally different

Theatre Monkey

A terrific dramatisation of a difficult but profoundly important topic

The Reviews Hub

Kaufman’s staging is beautiful in its simplicity

WhatsOnStage

A stark and compelling piece of work

Evening Standard

A necessary if often troubling watch

The Indiependent

The technical execution is masterful

Theatre Weekly

This captivating way of storytelling is still so unique, with flawless use of tech

A Young(ish) Perspective

A thoughtful and fascinating piece of theatre

LondonTheatre1

I was entirely riveted and would highly recommend seeing it

London Unattached
Running time

Approximately 90 minutes (no interval)

Age Guidance

12+

Booking information

Our online booking system doesn’t allow customers to leave isolated seats. We do this in order to prevent gaps in the auditorium.

Currently seats are on sale from Row B in the stalls, and it is possible that Row A will go on sale at a later date, so please be aware that purchasing seats in Row B does not guarantee that you will be in the front row.

Please note that our boxes have a slightly restricted view. Seats marked with an ‘i’ on the seating plan have a restricted view.

Our ticket prices increase as the theatre fills. We always recommend booking early to secure the best seats at the best price.

If you require any help with your booking then please contact our Box Office by emailing tickets@stratfordeast.com or calling 020 8534 0310.

Group bookings

If you buy nine standard rate tickets then you get the 10th free. Group bookings (of nine or more tickets) can only be booked over the phone or in person.

Access bookings

Relaxed Environment: Sat 21 Feb 2026, 3pm
BSL Interpreted: Thu 26 Feb 2026, 7.30pm
Captioned: Fri 27 Feb 2026, 7.30pm
Audio Described: Sat 28 Feb 2026, 3pm

Cast

Creatives

Moisés Kaufman & Amanda Gronich Writers
Moisés Kaufman Conceived and Directed
Derek McLane Scenic Designer
Dede Ayite Costume Designer
David Lander Lighting Designer
David Bengali Projection Designer
Bobby McElver Sound Designer
Jacob Sparrow Casting Director
Josh Seymour Associate Director
Ben Davies Associate Set Designer
Ciara Leneghan Associate Costume Designer
Molly Tiede Associate Lighting Designer
Stivo Arnoczy Associate Projection Designer
Salvador Zamora Associate Sound Designer
Aundrea Fudge Voice & Dialect Coach
Andy Reader Production Manager
Vanessa Sutherland Company Stage Manager
Monica Trabucchi Deputy Stage Manager
Gúa Ástudóttir Technical Assistant Stage Manager